Who am I? (bio)

I Am . . .

8 Responses leave one →
  1. 2007 February 4

    Hey, saw you on FAWM and noticed you were from G’ville. I went to UF for undergrad and grad, so I know the area well! Anyway, I’m enjoying your songs! More people should play organ!! :)

  2. 2007 November 17
    Lee Prosser permalink

    I review jazz CDs and jazz books at http://www.jazzreview.com and am interested in reviewing your material. Thank you, Lee.

    ..

  3. 2008 March 10

    Hey Bruce,

    I just wanted to extend you a big thanks for the Python module ‘pcsets’, it’s exactly what I was looking for and in the programming language I love.

    Every time I think ‘Somebody HAS to have done this..’ and I google for it and ultimately find what I’m looking for I try to take a minute to stop and thank the person who did it and today thats you.

    Thank you again, you’ve saved me some time and likely many others.

    -Nathan

  4. 2008 March 10

    Wow! Thanks a lot. Yeah, I love Python, it’s turned into my secret powertool. I’m trying to learn enough Csound that I can automate all the hard stuff with the existing Python modules and some of my own devising.

    I was working on version 3 for pcsets a while back, one with a core universal class and descendants that could be pcsets, tonerows, chords, melodies, etc, but it was just too darn complicated. Plus, after all that work, the randomly generated chord progressions I derived from it just didn’t have that magic. I think the human brain is still one up on machines (for now).

    Probably the simplicity of version 2 was the right choice: a specific module for a specific problem, instead of some code-bloated nightmare.

    I haven’t found any bugs, which already makes me think, hey, it isn’t broke, don’t go out of the way to create new problems ;-)

  5. 2008 May 30

    What a fun CC world. I was googling for something else entirely, and found your weblog. Great to read about your adventures in jamendo and microtonal work!

  6. 2009 February 3
    Jeff permalink

    Hey-

    Heard you FAWM on Soundclick and really enjoyed it. Am doing it this year. Check out the Immersion Composition Society!

    http://www.lowartmusic.com

  7. 2009 May 2

    Hello Bruce,

    I was tempted to write in french (to test your skills ;) but i guess it’s more public in english.

    I recently started a project to kind of promote the use of the musical object “the circle of fifths” in many uses (representation of a chord, scale, composition ect.)

    My first step was to allow such a circle to be embedded. Here’s a major chord :
    http://www.lame-spirale.net/c5.php?c=11001

    Second step is the construction of a voicings dictionary like many exist on the web with 2 main differences :
    - data will be freely available for external uses
    - i will let go chords name and use the circle of fifths to have a more mathematical approach : it’s not a good way of thinking to separate Am7 and C6 voicings as thay contain the same notes.
    And i found it’s very similar to the pitch class set theory.
    Luckily a friend just made me quit php tu use django as a framework so i am able to use your python pcsets library , and i’ve got to say it’s just perfect for my use!
    Many thanks for that, i will be able to concetrate on the SVG interface which is difficult enough.

    More ramblings on github if you find interest in the subject :
    http://wiki.github.com/LameSpirale/c5

    Thx again
    Lame Spirale

  8. 2009 May 2

    @LameSpirale — thanks for the kind words, and you inspired me to finally write about what I’ve been working on in secret: gpcsets: Pitch Class Sets for Haskell. In the article, I talk a little bit about pcsets-3.0 (which will be based on Python 3.0).

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